TWO
NOT SO GOOD GUYS WITH GUNS
Based on actual people and events, War Dogs tells a most unusual story of
two young dopes who more or less fall into the highly profitable international
arms trade. Not surprisingly, the movie
provides a salutary lesson in greed, but also shows something of the actual
wheeling and dealing in that tricky and often dangerous business. As both life and the movies teach us,
easy pickings, sure things, and double
crossing often lead to disaster, which is what happens when a couple of moral
morons involve themselves with guns and find themselves playing with the big
boys in a game they don’t fully comprehend.
The two friends in War Dogs, David Packouz (Miles Teller)
and Efraim Diveroli (Jonah Hill), who knew each other in their adolescent
years, reconnect when Efraim returns to Florida, partially bankrolled by his
uncle (Kevin Pollak), full of ambitions to make a killing in the arms business.
He enlists his friend and the two of them embark on their first big deal,
attempting to supply an American colonel in Iraq with a truckload of Beretta
pistols (why the colonel must acquire the weapons on his own remains a
mystery). The job turns out to be
complicated and exceedingly dangerous, involving crossing several borders in
the Middle East and surviving an attack from the Taliban.
As they sink deeper or perhaps rise
higher into their new business, the partners accumulate the usual trappings of
wealth in today’s America—expensive cars, fancy apartments, a plenitude of drugs. They also find themselves connected to some
heavy hitters, who actually perform a little hitting on Packouz. Ultimately they land in some difficult
territory, partly as a result of diving in over their heads and partly as a
result of Efraim’s penchant for double crossing
and
back stabbing. When he stiffs an
Albanian partner in a particularly intricate scheme, he and his partner become
the target of an FBI investigation.
In starring Jonah Hill, the
director, Todd Phillips capitalizes on some of his work in The Wolf of Wall Street as a crooked, greedy, drug-addled wheeler
dealer. In War Dogs he adds to that image through adding a good deal of plain
nastiness and a sort of generalized vulgarity to all his words and
actions. His employs his corpulence, his
obnoxious mannerisms, his steady line of profane bluster to good effect, so
much so that Miles Teller, though nominally the protagonist and occasional
narrator, fades away when they occupy the same scene. For better or worse, Hill dominates the
picture, which generally grows less interesting when he’s absent. A fascinating story in itself, War Dogs loses much of its appeal in its
failure to balance its violence and tension with its sometimes outrageous
comedy, summed up perfectly in Jonah Hill’s character.
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